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A Passionate Challenger Kenshi Mishiro, Chikao Ikeda Take-Akari Artists Illuminating the World with Bamboo Lights!

Episode Synopsis

ID: DC282401
Documentary
2024
25 MINS
EN
For centuries, bamboo has been an integral part of Japanese culture, valued for its resilience and flexibility. It has been used to craft items like baskets, chopsticks, and even buildings. Bamboo shoots are a staple in Japanese cuisine as well. But in turn, unmanaged bamboo forests have become a growing concern, where the rapid spread of bamboo has led to forests dying out. The shallow roots of densely packed bamboo are interconnected, increasing the risk of landslides during heavy rain. In recent years, however, bamboo’s potential has been rediscovered. Beyond traditional uses, it is now utilized in products like clothing and detergents. Among these new developments, one captivating art form has emerged: Take-Akari or “bamboo lights.” Two Kumamoto-based artists, Chikao Ikeda and Kenshi Mishiro, are at the forefront of this movement. They repurpose abandoned bamboo, crafting intricate, original designs by drilling patterns inspired by waves, clouds, and willows. These designs, illuminated by candles or LEDs, transform spaces into magical, dreamlike settings. Their Take-Akari installations are now in high demand, featured on stages of famous artists, in theme parks, hotel gardens, and more. But their efforts don’t end with creating beauty; when their works reach the end of their lifespan, the bamboo is recycled into products like charcoal. This sustainable approach has earned them widespread recognition, including a role in the artistic production for the G7 Hiroshima Summit in 2023. Now, the two artists are embarking on even greater ventures: collaborating with a world-renowned Taiwanese artist, lighting up Kumamoto Castle, and designing a bamboo light installation for a garden in Aix-en-Provence, France. Guided by their motto, “Bringing light to those who’ve never seen Take-Akari,” these two artists are on a mission to illuminate the world.

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